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12/17/2004
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Creating four-channel versions out of two-channel masters with Altiverb!
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11/19/2004
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Is Point-to-Point Wiring Better?
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10/28/2004
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Boom Operator tips and tricks.
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10/18/2004
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Recording Vocals Without Headphones
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10/15/2004
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Emulating Vintage Film Score Sound with Modern Gear
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10/08/2004
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Shotgun mics and sound reinforcement.
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08/20/2004
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The Elusive "Tube Warmth" Mystique
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08/19/2004
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Impedance Matching Mics and Preamps
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08/16/2004
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Distortion and summing.
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08/10/2004
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Speaker Thumps, Drive Rack PA and Murphy's Law
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08/05/2004
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Microphone Mysteries Revealed, by Ted Hunter: E609 Silver explained.
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08/03/2004
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Using the TD-100 and TLA-50 together for a great guitar or bass channel.
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07/19/2004
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Solutions for Gretsch feedback!
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07/16/2004
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Wireless Microphone Systems: VHF or UHF?
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07/09/2004
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Barry's Guide to Recording Guitars - Using Hallways for a Big Stereo Sound
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06/16/2004
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Barry's Guide to Recording Guitars: Capturing the Sound of a Guitar Amp
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06/07/2004
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Recording vocals - tips and tricks!
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05/25/2004
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Getting a 'Big End of the World' guitar sound with Plug-ins.
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04/27/2004
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Just a few tips for playing out live!
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04/22/2004
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Virtual analog synths vs. analog synths.
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03/18/2004
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Tips for better monitoring when gigging in tight spaces.
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03/05/2004
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Basic Differences Between Digidesign's Control|24 and ProControl.
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03/03/2004
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When traveling across the land with wireless systems...
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02/27/2004
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Flip switch on Mackie's 8-Bus mixer explained.
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02/19/2004
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Microphone Mysteries Revealed, by Ted Hunter: Mic technology over the past 25 years.
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02/05/2004
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Always field test your wireless transmitter BEFORE the performance!
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01/29/2004
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Microphone Mysteries Revealed, by Ted Hunter: Handheld condensers vs. dynamics.
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01/16/2004
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Digidesign's Mbox and 1/4-inch Mic Cables.
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01/06/2004
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David Stewart’s Guide to Specs: Microphone Self-Noise
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01/02/2004
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Royer R-121 Ribbon Microphone: Two Mics In One!
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12/19/2003
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Patch Cable Tips!
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12/18/2003
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Ted Hunter’s Mic Mysteries Revealed: External Power Supplies
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11/28/2003
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Are there benefits to Gold Sputtered diaphragms (mics)?
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11/25/2003
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Microphone Mysteries Revealed by Senior Sales Engineer, Ted Hunter - Benefits of variable polar patterns.
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11/10/2003
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inSync's Did You Know: Wireless & TV Channels!
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11/03/2003
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More on Microphone Modeling.
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10/31/2003
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The AKG C 3000B and Roland V-Studios
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10/09/2003
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Body Pack transmitter antennas - coil them up, or let them hang?
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09/30/2003
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1/4" microphones and Digidesign's Mbox.
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09/18/2003
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What makes a versatile microphone versatile?
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09/15/2003
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DigiTech's RPx400 User Tips.
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07/29/2003
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Microphone Mysteries Revealed, by Ted Hunter, Sweetwater Sales Engineer.
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07/17/2003
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Off, on and standby switches on wireless systems explained!
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07/16/2003
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Do all computer audio interfaces include a mic preamp?
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06/27/2003
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Phase as it applies to microphone preamps!
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06/11/2003
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Wireless Microphone Tips - How to get the best range.
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06/09/2003
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Cardiod Patterns Differences
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05/16/2003
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Mic positioning tips
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05/15/2003
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Why two SM-57's on the President's podium
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05/13/2003
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Choosing mics that help avoid feedback
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05/07/2003
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Benefits of powered mixers
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04/30/2003
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Synching a Roland VS recording with your DAW
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04/22/2003
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Studio Essentials
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04/10/2003
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Does Phantom Power effect the shield in a mic cable?
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03/13/2003
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Overloading microphone.
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03/07/2003
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Using proximity effect to reduce feedback.
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03/06/2003
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Wireless Microphone Tips
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03/05/2003
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Omni versus Cardioid in lavalier mics
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01/09/2003
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Miking an Accordion to go wireless
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01/03/2003
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Ribbon mics on guitar amps
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12/30/2002
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Using the Pod with a guitar amp
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11/12/2002
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Small Diaphragm, Medium Diaphragm, and Large Diaphragm
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11/07/2002
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More on mic muting with foot switches
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10/31/2002
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Feedback problems with drum riser
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10/22/2002
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On/off switch for dynamic microphones
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09/30/2002
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Phantom Power and high impedance inputs.
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08/12/2002
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How to determine critical distance.
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06/21/2002
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Protecting those fragile SM-57's from overzealous drummers.
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04/05/2002
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Connecting mics to your video camera.
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04/03/2002
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Drum tuning.
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12/28/2001
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A cool test procedure for aligning your gain stages.
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11/19/2001
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Getting "breathy" reverb tails in your mix.
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07/11/2001
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Omnidirectional Mics vs. Multipattern Mics.
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07/06/2001
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Omnidirectional Mics
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05/25/2001
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Patch bays and the differences between normal and half-normal operation.
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04/24/2001
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Is the Antares Mic Modeler really accurate?
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03/22/2001
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Phantom power usage on split microphone signals.
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03/13/2001
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Splitting mic signals.
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02/15/2001
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The "magic" of the studio
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02/05/2001
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Studio Mics versus Live Mics
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11/07/2000
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Using Balanced and Unbalanced Gear Together
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07/07/2000
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Solving low rumble in a PA - tips on PA equalization
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06/29/2000
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More about monitors & feedback
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06/23/2000
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Dealing with feedback problems; Graphic versus Parametric Equalizers
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03/20/2000
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Long unbalanced lines are a no-no
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03/17/2000
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Sometimes one ear is better than two
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03/15/2000
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How to keep your musical count offs from getting recorded
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03/02/2000
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More on humidity and static electricity
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02/18/2000
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Tuning monitors to a room using equalization
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01/28/2000
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Live miking and mixing with multiple microphones
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01/21/2000
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Miking an upright piano
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01/18/2000
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Pin 2 versus Pin 3 at mic inputs
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12/30/1999
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Connecting Line Level Gear to a Mic Input.
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12/27/1999
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Phantom power from multiple sources
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12/17/1999
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Hooking up mics for M-S Stereo recording
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11/24/1999
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Guitar and Microphone buzz problems
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11/09/1999
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To biamp or not to biamp
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10/19/1999
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Fuses - the mystery
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09/21/1999
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Recording material with wide dynamic range
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08/09/1999
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Pin 2 or Pin 3 hot in microphones and preamps
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07/23/1999
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Introduction of Drum Recording Summit
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07/20/1999
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More on using the ear from drum mike placement
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07/19/1999
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More on drum miking
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07/16/1999
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TDIF transfer and sync issues among Tascam DA series machines.
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07/08/1999
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Acoustic guitar feedback problems
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07/06/1999
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More on Mike placement for drums
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07/02/1999
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Phase problems with overhead miking of drums
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06/24/1999
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Miking a drum kit with one microphone
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06/10/1999
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Matched Pairs of Microphones
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06/09/1999
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Matched Pairs of Microphones
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06/02/1999
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More on mic orientation
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05/27/1999
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Orientation of microphones for recording vocals
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05/26/1999
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Orientation of microphones for recording vocals
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02/15/1999
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That Darned -10, +4 thing again
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02/11/1999
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Vocalists Intonation with Headphones
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01/26/1999
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Still more on phantom power
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01/13/1999
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Phantom Power with Dynamic mics (again).
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11/24/1998
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Placing Monitors For Hypercardioid Microphone Usage
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09/16/1998
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A Trick For Microphone Stand Care
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09/10/1998
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A-B Stereo Miking Technique
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09/03/1998
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Miking A Bass Drum
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09/01/1998
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The End of the Microphone Covering Issue
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08/24/1998
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Even More On Microphone Care
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08/14/1998
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More On Microphone Care
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08/05/1998
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Microphone Care: Put Them Away or Leave Them Out?
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07/10/1998
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Getting an Instrument Signal to a PA Mixer
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04/21/1998
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Isolating A Direct Box From Phantom Power
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04/16/1998
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The Significance of Absolute Phase
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04/14/1998
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Phase Differences in Microphone Signals
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03/19/1998
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Phantom Power and Line Level Gear
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03/13/1998
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Digital Connections
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02/24/1998
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What To Look For In High Quality Signal Cables
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02/20/1998
|
Subjective Audio Vocabulary and Lingo
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02/18/1998
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Guitars! Is There A Way To Remove Their Hum??
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02/09/1998
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Differences Between Large and Small Diaphragm Microphones
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01/27/1998
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Phantom Power and Passive Direct Boxes
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11/14/1997
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Controlling High End EQ...
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09/19/1997
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Send In Your Acoustic Guitar Miking Suggestions
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07/28/1997
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More On Audio Hum and Induced Noise
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03/25/1997
|
Microphones and Monitors
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