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Roland Octa-Capture
- by Gilbert Janke, 05-22-2012
“Roland is not the first company that comes to mind when considering interfaces, so I was naturally hesitant when told to check out the Octa-Capture. Simply put, I was blown away! What I heard was nothing but a crystal clear sound with a great stereo imaging field. No noise, no coloration, just clean gain and transparent output!”
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MOTU MIDI Express XT USB
- by Gilbert Janke, 04-10-2012
“The Express XT is a total rock solid piece. MOTU did not skimp on the features, and was still able to bring it in at the right price! The MIDI Express XT will eat up all the tasks you demand of it, and be ready for more!”
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MOTU HD192 Core PCI-e System
- by Gilbert Janke, 04-10-2012
“The HD 192 interface is a great value for the dollar, with out sacrificing the quality! With plenty of pro I/O and expandability, this unit will do the job, and do it well. From tracking, to analogue summing, the HD 192 can become the high quality nerve center of your recording studio without breaking the bank!
”
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Pioneer DJ CDJ-350
- by Gilbert Janke, 04-03-2012
“The CDJ 350 has a robust feature-set that is beautifully implemented and is meant to be used with skill and ease for years to come!”
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Manley Variable Mu
- by Gilbert Janke, 03-21-2012
“This studio staple is Huge! A wildly successful and highly used magic machine. Great for tracking and mastering because of how clean and open it can sound, but has such a unique sonic footprint that leaves your mixes tighter, more defined and polished when used as a stereo 2 buss compressor. At high compression it leaves that loved and pleasing harmonic distortion, and with out adding too much coloration. Many compare it to some the
"holy grails" of compressors, like the Fairchild 660/670, and after pushing some program through it is totally obvious why studios the world over want this piece in their racks!”
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electro-harmonix Ravish Sitar
- by Patrick Butler, 02-08-2012
“The Ravish Sitar will definitely catch the ear of anyone looking to get an effect that stands out.”
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Orange Dual Terror Head
- by Ryan Schmidt, 02-03-2012
“The Dual Terror is a fantastic amp for the gigging guitarist - live or in the studio. Definitely check it out!”
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Ableton Live 8.2 Suite
- by Chris Anderson, 10-05-2011
“Live is one powerhouse of a DAW! It includes all the things I'd expect from today's packages.”
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M-Audio FastTrack Pro
- by Mark Chapman, 07-13-2011
“"What an incredibly versatile interface at a great price. It's a new tool in my audio arsenal for sure!"”
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JamHub BedRoom
- by Daniel Fisher, 06-30-2011
“The JamHub is not just another musical tool; it is a key ingredient for a more enjoyable quality of life.”
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Novation Launchpad
- by Ryan Holquist, 02-08-2011
“The Launchpad makes controlling Ableton Live a fantastic hands-on experience. ”
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Antelope Audio Zodiac+
- by Ryan Wiltermood, 02-08-2011
“The Zodiac+ is perfect for an engineer or anyone who wants to listen to their music collection in the highest level of resolution.”
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Alesis SR-16
- by Paul Baker, 02-08-2011
“"If you are looking for an inexpensive and easy way to lay down some beats, this is it!"”
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Rode NT2000
- by Mark Maxwell, 01-26-2011
“Whether its a tight cardioid sound or a roomier, natural-reverb omni sound, this mic helps me find that "just right" vibe.”
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Line 6 Uber Metal
- by Ryan Wiltermood, 01-18-2011
“Here is a pedal for those who love a big, fat distortion!”
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