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RSS 2.0 Now Available! Wednesday, October 08, 2003
 

Today's Top Stories:

  • KORG EMX-1

• Symantec Norton SystemWorks 3.0Sweetwater’s Online AES Report!

KORG EMX-1
The ELECTRIBE-MX represents a new generation of Electribes - powerful dance music products that cover everything from laying down stunning tracks to creating exhilarating live performances. The EMX-1 comes housed in a sleek, rugged metal chassis. The new backlit LCD provides a wealth of information during programming or performance. The intuitive step-time/realtime interface has been enhanced with a new Ribbon and Slider control. Effects, Motion Sequencing, and Pattern length have all been expanded. A brand-new filter lets you chose Low Pass, High Pass, Band Pass or Band Pass Plus. The EMX-1 is an amazing tool for dance creation. Check it out!

Symantec Norton SystemWorks 3.0
Symantec’s Norton SystemWorks 3.0 for Macintosh is the smartest way to solve computer problems. Norton AntiVirus 9.0 for Macintosh, the world’s most trusted antivirus solution for Macintosh systems, removes viruses automatically—without interrupting your work. Now it also detects PC viruses. Norton Utilities 8.0 for Macintosh finds and repairs disk problems, helps you recover files, and improves hard drive performance. Dantz Retrospect Express Backup lets you quickly and easily back up your files. And Aladdin Spring Cleaning safely and completely uninstalls unneeded programs. Protect your computer from dangerous viruses and keep it running smoothly with Norton SystemWorks.Sweetwater’s Online AES Report!
As in years past, your inSync correspondent will be on the road to the much-anticipated AES show! This year AES is held in exciting New York, NY where we’ll be privy to a TON of new and interesting music technology product releases. If you’re not able to make the trip, don’t worry! Stay tuned to Sweetwater.com this weekend where you’ll find our online report of all the new gear. Enjoy!


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Strip Silence
A command in some audio workstations that locates silent parts of a performance and strips them out, leaving the performance broken into separate regions. Usually the sensitivity or threshold can be adjusted by the user so important parts of things like sustaining notes aren't removed. The function has been used as a unique way to accomplish the same types of things a noise gate does, but it's much more powerful than that. Once the regions of a performance are separate it becomes easy to move them around in a DAW. It makes it easy to create alternate performances, or to copy a well performed passage to other parts of a song. The possibilities are endless.
 View the Complete Glossary


Strip Silence in Logic explained.
Q: "What is the Strip Silence function in Logic used for?"

A: Strip Silence literally strips silence from an audio clip which divides an audio region into smaller pieces and replaces the original region by these new slices in the Arrange window. Among many things, Strip Silence is an excellent "destructive noise gate" for stripping unwanted side noise from a vocal or acoustical instrument track. But you can also use this function for "splitting" something like a drum track or loop and then changing the song tempo!

How? First, understand that Strip Silence works by detecting audio levels. Detecting beats with this function will therefore work best when working with percussive material that has clearly defined attacks (long cymbal sounds or the like will disturb the beat detection).

Start by importing a drum loop to the Arrange window and set the loop to match the tempo of the song.

Select the region and call up the Strip Silence window by pressing the default key command Ctrl+S. Tweak the threshold and other parameters until the loop appears to be split accordingly. The preview will help you find the best settings for the particular loop.

After confirming with OK, the long drum loop of the Arrange window will be replaced by the smaller beat regions (If Strip Silence did not detect some loop split points, you can cut them by hand.).

The result are single beat regions that are fixedly bound to their bar position. You may now increase or lower the tempo and the drum loop will stay in time.
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