Sweetwater
1-800-222-4700
View Cart
SEARCH
SHOP BY BRAND Free Shipping!
Tech Support:
Over 15,000 product support articles and factory-authorized service. Click Here »



RSS 2.0 Now Available! Thursday, June 05, 2003
 

Today's Top Stories:

  Tapco\'s 6306

History repeats itself, again. If you\'re on the hunt for a great little mixer that won\'t break the bank, look no further than Tapco (by Mackie) and the 6306! Its small size belies its many features, including two mic inputs, two instrument inputs, two stereo line inputs, two aux sends, a stereo aux return, tape in and out, and stereo control room and phones outputs in addition to the main outputs! All this for less than $120! Don\'t be surprised if the brand Tapco seems familiar to you. That\'s the name of a Greg Mackie company (also known for great, low cost mixers) before he started Mackie.

News You Can Use

E-MU Command Station Update
E-MU has posted a version 2.0 software update for the XL-7, MP-7 and Proteus 2500 Command Stations. This is a free download from E-MU\'s site and includes the following updates (among many):
• XMix: allows you to replace tracks of the currently playing pattern with tracks from another pattern. It\'s designed both for performance use and as a quick way to experimentally swap tracks.
• Direct Pattern Access: You can now select one of 16 patterns using the Trigger buttons.
• Explode/Combine Tracks: These new functions facilitate the interchange between single multi-channel tracks and multiple single-channel tracks.
• Key Up Layer: The synthesizer layers can now be programmed to play when a key is released instead of when it is pressed.

Syntrillium Reaches Agreement With Adobe
Syntrillium announced in a press release that it has reached an agreement to sell its technology assets to Adobe Systems Incorporated. No details of the agreement have been made public yet. Stay tuned for more information.

A Musician\'s Guide To Gigging!
Sweetwater is showcasing the art of playing out live in the month of June! \"A Musician\'s Guide To Gigging\" delivers articles written by some of Sweetwater\'s top Sales Engineers and covers the basics of playing in your local jazz club, church, bar, etc. as a guitarist, bass guitarist, keyboardist and more. If you\'ve ever wondered just what it takes to build your own gigging rig, be sure to turn your browser to Sweetwater in the month of June!


Recent inSync News:
· Wednesday, June 04, 2003
· Tuesday, June 03, 2003
· Monday, June 02, 2003
· Friday, May 30, 2003
· Thursday, May 29, 2003
· View Entire inSync Archive

Sign up to receive the weekly inSync summary by email each weekend!



Voice Over
The speaking of a person or presenter (announcer, reporter, anchor, commentator, etc.) who is generally not seen while his or her voice is heard. In radio production no one is seen (obviously), but the term voice over is still used to describe announcements made over music or some other program material, especially in the context of commercials.
 View the Complete Glossary


Voice Over Recording Tips

Tips for recording Voice Overs for commercials, documentaries, trailers, etc.

Good Voice Overs depend on a skilled reader who can enunciate clearly and consistently (while not shuffling his/her papers), and proper production. Never underestimate the importance of the right voice talent for the job. Once you get the right voice there are several things you can do to capture a compelling performance and the best possible sound.

• In order to avoid pops at the mic, make sure that the mic is placed slightly higher than the talent's mouth but tilted down and aimed at his/her mouth. A good pop filter makes a huge difference as well.
• The top surface of the desk or music stand can be cloth covered to cut down on noises of shuffling paper.
• Always take stock of the tabletop-to-mic reflection of the voice. Try to keep the approximate distance of the reflected path at about twice the direct-to-mic distance. This will result in a 6 dB reduction in level of the reflection relative to the direct sound.
• Now, consider the off-axis response of the mic to the reflected sound. Getting hard surfaces 80 degrees or so off-axis will add another 6 dB of loss, resulting in response which is a total of 12 dB down for the reflected signal. This is low enough in level to be safely ignored.
• Many voice-over artists prefer to record while standing. The reason is that it gives them more breathing room and better diaphragm control.
• Remind your voice-over talent to deliver the lines in a very consistent manner and to avoid shuffling the script as well.
• Monitor carefully for extraneous room noises. The spoken voice is not always loud and it has a lot of open spaces.


  View all 1,700+ Tech Tips


Search WFTD & TTOTD Archives:

Word For the Day
Tech Tip Of the Day

 



Sweetwater Deals! Sign up for weekly e-mail offers:
Unsubscribe | Learn More »
About Sweetwater
· Why Sweetwater
· Our History
· Customer Testimonials
· Tour Our New Headquarters!
Additional Services
· Publications
· Gift Certificates
· Special Financing
· Sell Your Used Gear
Benefits & Policies
· Free Shipping on Most Orders
· Safe Shopping Guarantee
· Shipping & Delivery Times
· We Protect Your Privacy
Customer Support
· Track Your Order
· Return Policy
· Sweetcare 24/7 Support
· More...
Enter to Win Free Gear

Careers   |  Academy of Music   |  Events & Seminars   |   Recording Studio   |   Trading Post   |   Download   |   Links   |   Press Releases   


Sweetwater Sound, Inc.
5501 US Hwy 30 W
Fort Wayne, IN 46818
Get Directions
Toll-Free (800) 222-4700
Local (260) 432-8176
Fax (260) 432-1758
Contact Us
Telephone hours:
9-9 Mon-Thu, 9-8 Fri, 9-7 Sat EST
Retail Store hours:
9-8 Mon-Fri, 9-7 Sat EST
Current Sweetwater time is 6:47 PM
HACKER SAFE certified sites prevent over 99.9% of hacker crime.

© 2008 Sweetwater Sound Inc. All rights reserved. Please read our Terms of Use and Privacy Policy. Site Map