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RSS 2.0 Now Available! Monday, May 05, 2008
 

Today's Top Stories:

  New in Stock at Sweetwater


  • Grace Design m101 - Thought you could never afford a Grace Design product? Well, think again! The Grace m101 is a single channel of the critically acclaimed Grace Design mic preamp, and it sports updated components inside and out. The former silver exterior has been replaced with a sleek black finish. With incredible bandwidth, headroom, and resolution, the m101 is remarkably natural, musical, and detailed. A 12-position gold-plated rotary gain switch with a high-performance output line driver and HPF amplifier are onboard. Also new is the ribbon mode, with plenty of gain and a relay bypass de-activating phantom power to protect your ribbon mics.
  • TASCAM GigaStudio 4 - TASCAM has done it again! They've redefined the high-end of sampling workstations with GigaStudio 4. This new version supports 64-bit operating systems like XP 64 and Windows Vista 64, allowing users to access up to 128 gigabytes of RAM for loading those massive sample libraries and compositional templates. GigaStudio 4 also Hosts VSTi And GVi virtual instruments, loading or stacking instruments alongside GigaStudio instrument libraries. Hundreds of enhancements have been made from GigaStudio 3, such as an all-new QuickSound database tool, additions to the QuickEdit interface and user interface improvements.

  Guitar of the Day
Today's Guitar of the Day is, if you don't mind us saying so, a sublime work of art. But then we've come to expect no less from the master builders at PRS. We're talking about the Paul Reed Smith Hollowbody 1 in Santana Yellow! Just look at that amazingly quilted carved maple top and tell us how that's not a 10-top. Hold it up to the light and you could get lost in the deep 3-D perfection of its unique pattern. But that's okay, since you're getting what sure looks like a 10-top but without the extra charge. Spin this baby over and have a look at the back. Unlike the Hollowbody 2, which has a matching maple back, the Hollowbody 1 has a carved mahogany back, and this one is pretty sweet! It's easy to see why the PRS Hollowbody was so successful right out of the gate. Naturally, it wouldn't be a PRS without those trademark rippled abalone birds on the premium 22-fret rosewood fingerboard.

We love the feel of the wide-fat neck carve, which is exactly right for this beauty. Anything less wouldn't be right on a guitar that's a full three inches deep at the bridge, eventually spilling down the sensuously carved top to 1-1/2" at the sides. The Hollowbody 1 comes standard with specially voiced McCarty Archtop pickups. Yes, the same McCarty (first name Ted) that was at the helm at Gibson during the so-called "golden age" (if you ask us, we're smack dab in the middle of the true golden age of guitar making, but that's just our opinion). They're humbuckers, so you know you'll get a rich, smoky tone from either or both pickups. Plugged in, these can sound remarkably refined or burnin' hot! So no matter what kind of music you play, the Hollowbody delivers on the promise of superior sound. Sustain is guaranteed by the combination bridge/tailpiece, which is actually anchored to a thick piece of the carved mahogany back. Finally, oversized f-holes deliver the right combination of class and acoustic "zing." Don't like the Santana Yellow? That's okay, because we also have Hollowbody 1s in Whale Blue (with moon inlays), McCarty Sunburst (with the onboard piezo pickup option and bird inlays), and your basic Black (with moons). All include a deluxe, plush-lined hardshell case and free FedEx shipping right to your door!


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· Friday, May 02, 2008
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MPC
This is an AKAI abbreviation that originally stood for "MIDI Production Center," but has more recently come to be "Music Production Center" with the introduction of USB connectivity. The first device to carry those letters was the original MPC60 in 1988, which was designed by Roger Linn, who was then a product designer for AKAI. This was his "brainchild" from the start, beginning with the functional design, the front-panel layout and eventually the software and hardware specifications. The actually software was completed by Linn and a team of other engineers, while English engineer David Cockerell and his team handled the hardware electronics. The MPC60 was intended to be a powerful sampling drum machine and MIDI sequencer and drew heavily from Linn's own LinnDrum 9000. Today there are several Akai MPC models, including the 64-track, 32-voice MPC2500, the compact MPC1000, and the battery-powered MPC500
 View the Complete Glossary


Thicken Up Emulated Tones!
Amp emulators are undoubtedly a valuable tool for getting great guitar and other tones quickly and easily, but what if you need to inject a little something extra to really get the instrument to stand out in the mix? One of our favorite tricks: plug the emulator into a tube-powered direct box, like Groove Tubes' heavy hitter, dubbed The Brick. Recently we had a band in the studio and when it came time to lay down the harmonica track, we plugged in our trusty harmonica mic into a amp emulator. The sound was totally usable, but the harp was the main instrument and it needed to really cook. We plugged the output of the emulator into The Brick, adjusted the gain, and the sound was just there. The end result was perfect for the track and sounded great. The tubes added just the right amount of grit and warmth and really made the track come alive and sound like there was an amp there in the room. While this trick was used on harmonica, it could be used on any direct source - from guitar to bass to synths - anywhere you want to add some "vintage" flavor to your direct recording.
  View all 1,700+ Tech Tips


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