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  1. #1
    Join Date
    Sep 2003
    Posts
    145

    Leakage Looney!!!!!

    Hey, I have yet another question for this all-mighty forum. I have a bedroom recording studio and m currently working on a important project. I usually throw a couple mics in front of a 4x12 cab and just track guitars that way, but here's the prolem: the guitarist plays in about 5-6 feet away from the cab in the same room, so no matter what he plays the damn mics on the cab pick up the acoustical strumming from the guitar. So everytime I go back to listen to a track you can hear his damn pick strumming the guitar, when all I want is what's coming from the cab. I can't isolate it, it's nearly impossible, unless the guitarist is in a totally different room from the mics. What do I do??? I always see videos of big time bands in the studio. where the guitarist is in a very small, isolated tracking room where he has only a few feet between him and the miked cab, so those mics should pick up every strum of the pick on the strings, how do they get away with it??? Maybe a gate??? Help!

  2. #2
    Join Date
    Nov 2002
    Location
    Flint, MI
    Posts
    197
    TURN THE AMPS UP!!!


    try to think about it as a signal to noise ratio kind of thing. The mic'd cab is the "signal", and the picking is the "noise". So try to achieve the highest signal to noise ratio without offending neighbors. Or simply put, turn up the amp. you should also make sure that the mic isn't facing both the guitarist, and the cab...i.e. the guitarist should be standing behind the mic...(in it's null pattern for cardiod)

    Your other alternative is simply to take a set of headphones into another room and have the guitarist play in there. (Although, I do know of a couple guitarists who simply DO NOT play well unless they're standing in front of their massive stacks. I'm thinking it's either Comfort or Ego.)

  3. #3
    Join Date
    Dec 2003
    Location
    Phoenix, Arizona
    Posts
    2,024
    Are you using omni's?

    You might want to try and get the guitarist to face away from the cab's and if needed you could put some kinda gobo between him and the cab..maybe a mattress if you have to..or some cardboard "wall".

    If you're using omni's then try cardoids as the rear rejection will eliminate this...
    Randy Wright
    Mix Engineer
    Mesa, Arizona
    http://www.myspace.com/djui5

  4. #4
    Join Date
    Sep 2003
    Posts
    145
    Well, the amp is already turned up pretty loud, so I'm not sure that will totally solvethe problem, but I will add a little more volume to it just to see. I have been currently micing the cab with a 57 and Rode NTK and those are both cardiod I believe, so there is no problem with mic pattern. I know I can try to but a gobo type wall between the guitarist and the cab, but it is quite a hassle and very hard to work around in one, small room. So what next??? How do the big-timers do it in their small iso booths at major studios??? Just crank it to 10 and voila, no more strumming sounds in the mix???

  5. #5
    Join Date
    Dec 2003
    Location
    Phoenix, Arizona
    Posts
    2,024
    Yeah..cranked to 11 works, and usually the guitarist is standing somewhere that the mic's don't pick it up. Maybe tell your guitarist to chill on his strumming, the volume will be lower but you can turn the amp up some more to compensate. Or you could get a longer 1/4" cable and have him stand further away, facing away from the cab in front of it....
    Randy Wright
    Mix Engineer
    Mesa, Arizona
    http://www.myspace.com/djui5

  6. #6
    Join Date
    Dec 2002
    Location
    Texas
    Posts
    464
    Are you sure it's the cab mics picking up the strumming and not an open mic somewhere near the strumming guitar, like a vocal mic?

    Gcjammin1

  7. #7
    Join Date
    Sep 2003
    Posts
    145
    Yeah I'm sure, I only have two mics on the cab and that's it, no other mics in the room at all.

  8. #8
    Join Date
    Dec 2003
    Location
    Phoenix, Arizona
    Posts
    2,024
    Have you tried another take yet?......
    Randy Wright
    Mix Engineer
    Mesa, Arizona
    http://www.myspace.com/djui5

  9. #9
    Join Date
    Mar 2003
    Location
    Nashville, TN (formerly Mesa,AZ. and Las Vegas)
    Posts
    643
    Build a plywood box that will fit over the gt cab/mic stand and line it with foam or something that can help deaden the sound. This of course is easier if you have a shorty mic stand and small amp. Then crank it up, as others have mentioned.
    Steve (LVjazzman)
    http://www.accentaudioproductions.com

    --Alle kunst is umsonst wenn ein angel
    in das zundloch prunst!
    (All skill is in vain if an angel pisses in the flintlock of your musket!)

  10. #10
    Join Date
    Nov 2002
    Location
    Utah
    Posts
    1,762
    I think every persons idea of what "loud" is must vary quite a bit. I have never had a problem with pick noise acoustically being picked up on an electric guitar track. Even when the amps have been at a low/medium volume. I have had guitar players standing 5 feet from their cabinet with one mic being placed 3 feet from the cabinet, and one in the grill. In fact, usually my problem is the opposite. usually, I have to cut all the guitar mics from the headphones and crank the rest of the mix up just so the guitar player can hear something besides drums. I am currently working with an aggresive blues rock band. The guitar player has a Mesa Boogie 2x12 and without cranking that thing up all the way I have already blown several filaments in light bulbs cause that thing is so full and opens up so easily.

  11. #11
    Join Date
    Sep 2003
    Posts
    145
    It just doesn't seem right. I am about 5-6 feet away for the two mics on the cab, now why wouldn't those mics pick up the strumming sound??? They are so close that if they didn't pick it up I would be frightened that they might me the least hot mics on the planet. At low volume they difinitely pick up the strumming easily, especiallt the large condenser because it's so sensitive to sound, that thing can pick up a conversation the next room over though the wall, so pickung up strumming in the same room is a given. But I still don't know whyI am having such a huge problem , when others say it's not a big issue for them in my same situation. Thanks.

  12. #12
    Join Date
    Nov 2002
    Location
    Utah
    Posts
    1,762
    I didn't mean that they didn't pick up the sound, but the the signal (amplifier) to noise (actual strumming) was so great that the strumming wasn't audible. If the amp is quiet enough, then you would have to crank the gain up on the mics to achieve your optimal recording level. This would increase the amount of strumming. Turn the amp up and the channel gain will go down on the mic which would deemphasize the strumming. Like I said, I think our viewpoints on what a loud amp is and isn't are quite different.

  13. #13
    Join Date
    Dec 2003
    Location
    Phoenix, Arizona
    Posts
    2,024
    Brent,
    Can you stick the cab in a closet or something like that? Maybe wire a 1/4" cable through a wall or under a door and stick the guitar player in another room.

    I don't mean to insult you or anything, but are you sure you're LD condensor is facing the right direction? You also might be getting reflections from the strumming bouncing off a wall and coming around to the mic.
    Randy Wright
    Mix Engineer
    Mesa, Arizona
    http://www.myspace.com/djui5

  14. #14
    Join Date
    Sep 2003
    Posts
    145
    Yeah, basically it seem sthat I just need to compensate by adding more volume at the amp source and less gain from the pre's. I am pretty sure I have the condensor facing the right direction becasue I have ehard how it sounds facing the opposite direction, it's horrible, so I would say definitely yes.

  15. #15
    Join Date
    Dec 2003
    Location
    Phoenix, Arizona
    Posts
    2,024
    To check you can snap your fingers on either side and whichever side is the loudest will be the on axis side (front side).

    Let me know if you get it sorted out...I hate it when there's problems and they don't get worked out...
    Randy Wright
    Mix Engineer
    Mesa, Arizona
    http://www.myspace.com/djui5

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