Ah, the joys of volume wars!
I have approached this from many angles with varying degrees of success. One approach that can actually work IF the musicians will actually do it, is to rearrage their amps to play to themselves instead of the room.
If the amps are pointed AT the musicians and away from the crowd, multiple problems can be solved at the same time. Since the amps are pointed at the musician and therefore the instrument, the volume required for sustain becomes much lower. Guitarists are also well served to learn to get the tube distortion from earlier stages in the amp instead of from the output tubes.
There are ways of successfully addressing the situation. However, the musicians have to get past the feeling that Mom is telling them to turn down and learn to trust to sound engineer, if you are lucky enough to have one that knows the job.
Getting everyone on the stage to hear themselves is a big part of the story, but they also have to learn to trust the sound engineer and not listen to the voices in the crowd during breaks.
Everything starts from some degree of balance on the stage and proper mic selection and placement. With open mics all over the stage there is only so much you can do to bring up someone that is buried in the mix. Everything on the stage is within "hearing" distance of the open mics.
Even bringing up the monitors to compensate for being too loud presents a number of problems that potentially get worse with more open mics on the stage.
One method that sometimes works is to turn up the offending player in the monitors (assuming you have good enough monitors). However in some cases this can actually make the problem worse if they do not react by turning down.



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