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The Ins and Outs of Effects Loops
12/29/2005

Most modern amps have an effects loop, but guitarists, especially those new to electric guitars, often don't know how it works or what to do with it. When a guitar is plugged into an amp, the signal goes through a preamp, EQ, the power amp, and then to the speaker. If there is an effects loop in use, the signal is interrupted and sent to the effects pedal(s) via the effects send, and then brought back into the amp in the effects return. The signal then proceeds to the power amp and to the speaker.

Effects loops allow you to place effects between the preamp and the power amp. This works best with modulating effects such as chorus, delay, phase shift, or flanger. Modulating effects work well in an effects loop as they don't pass through the EQ or preamp, and therefore aren't colored by the circuitry. Many modulating pedals (phase shifters, for example) have inherent noise that can sound "swishy," which the preamp accentuates. When your pedal's operational noise is present in the processed signal, this would be a good time to test the stompbox in the effects loop and see if the noise is diminished.

You can place any pedal you wish in an effects loop, but be careful if you insert a distortion pedal in the loop. A distortion box is designed to overdrive the preamp stage, but if inserted into an effects loop, it could overdrive the power amp instead, and the results could be less than musical. Experiment with the placement of effects, both in a loop and straight in, and see which sound works the best for you.





Other Techtips from December 2005:
December 30 - Maximize RAM Usage with Ivory
December 29 - The Ins and Outs of Effects Loops
December 28 - How to Cut a Hole in a Kick Drum Resonant Head
December 27 - How to Make a Vocal Mic Feed Back — and How to Avoid It
December 26 - Toggling Drums and Bass on the BOSS DR-3
December 23 - Tracking a Full Band Using an 8-input System Part 4
December 22 - Fast Session Setup
December 21 - Isolating Miked Drums In A Small Room
December 20 - Tracking a Full Band Using an 8-input System
December 19 - Session backup in Pro Tools
December 16 - Back to Basics - Pro Tools Keyboard Shortcuts
December 15 - Time-aligning Miked and DI Bass Guitar Tracks in a DAW
December 14 - Utilizing the Smart Tool in the Edit Window of Pro Tools
December 13 - Quick Guide to Proper Gain Staging for Live Sound Mixing
December 12 - Blocking a Tremolo
December 09 - Edirol FireWire Drivers
December 08 - Beat Replacement with Pro Tools & Reason
December 07 - Bring Vocals to the Front of the Mix Using a DAW
December 06 - Digital Performer Pitch Automation
December 05 - Fun with Digital Performer Pitch Automation
December 02 - Using Rests In Logic Scores
December 01 - Loading AIFF files problem


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