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Quick Guide to Proper Gain Staging for Live Sound Mixing
12/13/2005

A common misconception concerning gain staging in a live situation is that the master and channel faders should be set at unity gain during the sound check. In actuality, the faders should be set about 3dB above unity gain. Increase the gain on the input section of the mixer until the meters just start to light red to indicate clipping. If you then return the faders to unity gain, the signal will be nicely situated to be amply loud without any annoying clip lights or distortion to make the crowd cringe when the band hits a peak!





Other Techtips from December 2005:
December 30 - Maximize RAM Usage with Ivory
December 29 - The Ins and Outs of Effects Loops
December 28 - How to Cut a Hole in a Kick Drum Resonant Head
December 27 - How to Make a Vocal Mic Feed Back — and How to Avoid It
December 26 - Toggling Drums and Bass on the BOSS DR-3
December 23 - Tracking a Full Band Using an 8-input System Part 4
December 22 - Fast Session Setup
December 21 - Isolating Miked Drums In A Small Room
December 20 - Tracking a Full Band Using an 8-input System
December 19 - Session backup in Pro Tools
December 16 - Back to Basics - Pro Tools Keyboard Shortcuts
December 15 - Time-aligning Miked and DI Bass Guitar Tracks in a DAW
December 14 - Utilizing the Smart Tool in the Edit Window of Pro Tools
December 13 - Quick Guide to Proper Gain Staging for Live Sound Mixing
December 12 - Blocking a Tremolo
December 09 - Edirol FireWire Drivers
December 08 - Beat Replacement with Pro Tools & Reason
December 07 - Bring Vocals to the Front of the Mix Using a DAW
December 06 - Digital Performer Pitch Automation
December 05 - Fun with Digital Performer Pitch Automation
December 02 - Using Rests In Logic Scores
December 01 - Loading AIFF files problem


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