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Aligning Tempo to an Audio Track in Digital Performer
06/26/2008

Let's say that you have a great rhythm guitar performance, but it was recorded without the benefit of a click track, so its tempo may vary between, say, 76 beats per minute (BPM) and 82 BPM. You might think that track is unusable. Not true! With MOTU's Digital Performer, you can match the tempo of a sequence to that of an audio track using DP's Beat Detection Engine and Adjust Beats feature! Here's how:

Drag your guitar part into a new DP track, lining it up with bar 1 of your sequence. DP's Adjust Beats feature lets you use the peaks in your audio track waveform as a guideline for lining up bar lines (by dragging them on the time ruler), but adjusting one beat at a time can be time-consuming, so here's where the Beat Detection Engine comes into play: It looks at the peaks in the waveform and attempts to determine the beat and tempo information from this. If your audio waveform has dynamic peaks that can be interpreted as beats, you may be all set. Next, select your guitar track and then choose Audio > Adjust Sequence to Sound Bite Tempo. That adjusts the Conductor Track to match the tempo map created by the Beat Detection feature. The next step is to set Tempo Control to Conductor Track. Make sure that in your Adjust Beats window you select "Apply adjusted beat's tempo until end of sequence" and also "Preserve realtime performance."





Other Techtips from June 2008:
June 30 - Tube Mics: Which Way is Up?
June 27 - Mac OS X Mass Migration
June 26 - Aligning Tempo to an Audio Track in Digital Performer
June 25 - Choosing Your Software Synth
June 24 - Taking Your Acoustic "Live on Stage"!
June 23 - When Only a Grimy, Grungy Sound Will Do!
June 20 - Booting the Akai MPC2000 from a SCSI Drive
June 19 - KikAxxe First, Ask Questions Later
June 18 - The Proper Order in Studio Processing
June 17 - One-click Fix for Viewing Long File Names in Column View Mode (Mac OS X)
June 16 - Using Event Edit on a Korg Triton to Fit a Sample
June 13 - Some Like It Rough
June 12 - Become a Quick Change Artist
June 11 - Tuning Wurlitzer Electric Pianos
June 10 - Drum Track EQ Basics
June 09 - Track Lanes and Groove Patches in Reason 4
June 06 - The Quickest Path to Mastering Your Hardware and Software
June 05 - Arpeggiators on the Beat
June 04 - Joining Noncontiguous Audio Regions in Garage Band
June 03 - Adding Richness to a Rhythm Guitar Track
June 02 - It's Just a Question of Amplitude


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