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When Only a Grimy, Grungy Sound Will Do!
06/23/2008

Many musicians, engineers, and producers are looking to optimize the sound quality of their recordings. For them, the latest generation of high-resoution DAWs are a noise- and distortion-free dream come true. But for other musicians and for certain styles of music, only the dirtiest, grungiest sound quality will do! Let's say you want the drum sounds on your next album to sound like the original "old school" drum machines - or worse! Here's an easy way to get that sound, and all you need is that old beat-up cassette tape recorder that's gathering dust in a corner!

Your first step is to record the drum sounds onto a cheap cassette without any noise reduction (turn off the Dolby or dbx). Try to get as hot a signal as you can without getting so oversaturated that it doesn't even sound like a drum any more (unless that's exactly what you want). You might try recording three or four versions as you gradually increase the recording input level until the signal has the distortion you want. Then you can play back the cassette and transfer the filthiest drum sounds to your DAW or sampler for your final kit.





Other Techtips from June 2008:
June 30 - Tube Mics: Which Way is Up?
June 27 - Mac OS X Mass Migration
June 26 - Aligning Tempo to an Audio Track in Digital Performer
June 25 - Choosing Your Software Synth
June 24 - Taking Your Acoustic "Live on Stage"!
June 23 - When Only a Grimy, Grungy Sound Will Do!
June 20 - Booting the Akai MPC2000 from a SCSI Drive
June 19 - KikAxxe First, Ask Questions Later
June 18 - The Proper Order in Studio Processing
June 17 - One-click Fix for Viewing Long File Names in Column View Mode (Mac OS X)
June 16 - Using Event Edit on a Korg Triton to Fit a Sample
June 13 - Some Like It Rough
June 12 - Become a Quick Change Artist
June 11 - Tuning Wurlitzer Electric Pianos
June 10 - Drum Track EQ Basics
June 09 - Track Lanes and Groove Patches in Reason 4
June 06 - The Quickest Path to Mastering Your Hardware and Software
June 05 - Arpeggiators on the Beat
June 04 - Joining Noncontiguous Audio Regions in Garage Band
June 03 - Adding Richness to a Rhythm Guitar Track
June 02 - It's Just a Question of Amplitude


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