Free Shipping with no minimum purchase. Learn more »

Cart (800) 222-4700 Español (800) 222-4701


The Roger Nichols Gear Collection

Expert Center Sweetcare

«Back to Tech Tip Menu

Search:

Tech Tip of the Day Archives
1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Optimizing the performance of your VG-8.
05/17/2001

"I recently purchased a Roland VG-8EX from Sweetwater, to use with my Godin LGX-SA. I'm still in the beginning stages of learning how to use it, but so far I've had a problem getting good sound from it, even through a stereo system. It sounds tinny and "artificial", compared to the sound of the guitar without the VG-8EX. I've read in the Sweet Notes' Tech Notes that Jim Miller uses this LGX-SA/VG-8EX combination for recording, which was one factor that influenced me to purchase the VG-8EX. What are some starting points for getting the sound I want?"

According to Jim the main component of getting the sound you want is getting the VG-8 setup so it responds to the Godin pickup the way it would their own GK2A pickup. There is a separate setup page in the VG-8 for this, but it can take some fiddling to get it right. The VG-8's sound is effected by the character of the guitar driving it and we've found that really bright, light gauge strings (.08's and .09's) make some of the heavier sounds a little thin (particularly on the G string). On the other hand they work great when getting it to do Rickenbacker 12-strings or acoustic guitar sounds so it's all in what you are going for. But no matter your starting point you can program around it to accomplish what you need. There is so much flexibility and power in the VG-8 that you can do almost anything if you put the time into it. Once you're sure it's set up right spend some time with the EQs.. They are powerful and when properly tuned can radically change the tonal character of some of the sounds.





Other Techtips from May 2001:
May 31 - Do you need to rebias tube amps?
May 30 - Zooming Easy In DP3
May 29 - Making .MOD files
May 25 - Patch bays and the differences between normal and half-normal operation.
May 24 - Transfers from 20 bit to 16 bit through a mixer. What happens to the extra bits?
May 23 - Live mixing - digital mixer or not?
May 22 - Data compression in Roland VS series recorders.
May 21 - Piano sound differences between home and pro keyboards.
May 18 - Hearing loss: a first hand account.
May 17 - Optimizing the performance of your VG-8.
May 16 - More on upside down waveforms.
May 14 - Analog versus digital levels; getting a hot enough signal to your MasterLink.
May 11 - How to utilize line inputs of a mixer for stage sources through a snake.
May 09 - RAM differences and Kurzweil samplers.
May 08 - Upside down waveforms in a DAW.
May 07 - Mac OS X: to use or not to use?
May 04 - What's the up with FireWire Gear?
May 02 - Benefits (or not) of high sampling rates.
May 01 - MIDI Guitars - What's the deal, anyway?


1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012
     
Home | Gear Reviews | Videos | Buying Guides | Glossary | Tech Tips | Show Reports | Publications | Featured Articles

Our Customers Say...

Absolutely, without a doubt, we get everything we possibly can from Sweetwater. I have a great relationship with my Sales Engineer. His advice is always right on. The service, support, and knowledge are definitely there.
Troy Henry, Raleigh, NC

Sweetwater Sound Inc.
5501 U.S. Hwy 30 W
Fort Wayne, IN 46818
Get Directions »

Toll Free (800) 222–4700
Español (800) 222–4701
Local (260) 432–8176
Fax (260) 432–1758
E-mail us

Phone & Retail Store Hours:
9–9 Monday–Thursday
9–8 Friday
9–7 Saturday
(All hours listed are
Eastern Standard Time.)

© 2012 Sweetwater Sound Inc. All rights reserved. Please read our Terms of Use and Privacy Policy. Links | Press Releases