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More on upside down waveforms.
05/16/2001

An astute inSync reader gives us an interesting follow up to our recent Tech Tip about upside down waveform displays when bringing tracks from ADATs into a DAW (see inSync 5/8/01).

"The writer mentioned loading an ADAT recording into a DAW and finding a reversed wave display compared to the original recording. It could be that one of the recorders used was an original blackface ADAT. I believe that they reversed the polarity of the signal going to tape and then restored it back to correct polarity on playback. This happened when using the Elco balanced in/outs. And if tracked in balanced and then played back through the unbalanced I/O connectors, it was also reversed. Starting with the XT, this practice was supposedly stopped, though I never tested it. But it meant that any tape cut on one had to be polarity reversed on the other to play back correctly when the different era machines were mixed."





Other Techtips from May 2001:
May 31 - Do you need to rebias tube amps?
May 30 - Zooming Easy In DP3
May 29 - Making .MOD files
May 25 - Patch bays and the differences between normal and half-normal operation.
May 24 - Transfers from 20 bit to 16 bit through a mixer. What happens to the extra bits?
May 23 - Live mixing - digital mixer or not?
May 22 - Data compression in Roland VS series recorders.
May 21 - Piano sound differences between home and pro keyboards.
May 18 - Hearing loss: a first hand account.
May 17 - Optimizing the performance of your VG-8.
May 16 - More on upside down waveforms.
May 14 - Analog versus digital levels; getting a hot enough signal to your MasterLink.
May 11 - How to utilize line inputs of a mixer for stage sources through a snake.
May 09 - RAM differences and Kurzweil samplers.
May 08 - Upside down waveforms in a DAW.
May 07 - Mac OS X: to use or not to use?
May 04 - What's the up with FireWire Gear?
May 02 - Benefits (or not) of high sampling rates.
May 01 - MIDI Guitars - What's the deal, anyway?


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