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An Analog-style Multimode Filter in NI's FM8
05/12/2008

In general, digital synthesis provides many more sounds than analog synthesis. But wouldn't it be great if you could process an FM synthesis sound with the richness of two analog-style multimode filters? Well, that's exactly what Operator Z does in Native Instruments FM8!

Operator Z is a special-class operator. Imagine if you could use two separate 2-pole 24dB multimode filters to sculpt your sound. Operator Z has a Cutoff control that sets the initial cutoff frequency of both filters. Reso(nance) works similarly, and sets the degree of resonance (amount of boost at the cutoff frequency). Mode performs the same function for each filter. It allows users to set the response mode in a variable fashion from lowpass, bandpass, and highpass. Finally, the cutoff spread applies to Filter 2 only. It offsets Filter 2's frequency compared with Filter One. Finally, the Filter Mix changes the balance of the output of the two filters, from only Filter 1's output, to both outputs to Filter 2 only.

There are additional controls, as well as envelopes, modulators, and so forth, but the bottom line is that by using Operator Z, there are many more tweakable parameters, all of which can be used to add analog-style sound quality to what is essentially a digital-only output. Don't expect instant gratification, but always be prepared to save programs that please your ears as you encounter them.





Other Techtips from May 2008:
May 30 - BOSS DS-1 Distortion Pedal Mods
May 29 - Reverb Blues
May 28 - VSL Library and Kontakt 3
May 27 - The Fabled PAF Pickup Revealed
May 23 - New Sounds Courtesy of the E-Bow Plus
May 22 - Stripping Off a Guitar's Neck Finish
May 21 - Repairing Digital (and Analog) Clipping Using iZotope RX
May 20 - Quick Tonal Changes in Guitar Rig 3
May 19 - "Humanizing" Percussion Tracks in Battery 3
May 16 - Sending Huge Attachments
May 15 - Changing a Drum Kit's Tone or Sonic Characteristics in Battery 3
May 14 - Extra Fine Control When Editing Pro-53 Patches
May 13 - Editing Hidden Zones in NI KONTAKT 3
May 12 - An Analog-style Multimode Filter in NI's FM8
May 09 - Using Boss' Micro BR as an Effects Processor
May 08 - Burning Dual-layer DVDs in Toast 9
May 07 - Optimizing Settings for Longer iPhone Battery Life
May 06 - Maple Neck Colors on Fender Guitars
May 05 - Thicken Up Emulated Tones!
May 02 - Confirming Your Noise Reduction Settings in SoundSoap Pro
May 01 - Mic Placement When Recording a Guitar Amp


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