Free Shipping with no minimum purchase. Learn more »

Cart (800) 222-4700 Español (800) 222-4701


The Roger Nichols Gear Collection

Expert Center Sweetcare

«Back to Tech Tip Menu

Search:

Tech Tip of the Day Archives
1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Getting the most from Expression!
04/26/2004

Q: "How do I use MIDI "Expression" (Controller 11) in my sequencing?"

A: Expression, or MIDI Continuous Controller 11, is one of the original MIDI commands that define the actions of things like foot pedals, modulation wheels, and sliders in synthesizers. Most of the time expression used as a subset of Volume (MIDI CC 7), and you can use it to create natural crescendos and decrescendos in sustained-tone instruments, such as strings, wind, or synth pads. This way you can set an overall track level through volume and then adjust individual notes or groups of notes by applying increasing or decreasing the expression levels.

MIDI sequencers offer many ways to insert expression messages into your tracks: you can draw them in graphically, insert them in an event list, or use a menu-driven operation (such as Digital Performer's "Create Continuous Data" feature). Try this: create a sequencer file with just one track. Assign a violin, flute, or synth pad sound to the track and record a single note with duration of 8 beats. Now, using one of the methods mentioned above, insert a series of controller 11 (Expression) messages ranging from 0 to 127, that begins when the note starts and ends just before the note ends. Now play the track; you should hear a gradual increase in the volume of the note as the expression values increase. Of course, your sound source must be programmed to respond to expression changes for this to work.

Modern synths and samplers incorporate many more elements than volume into their expression parameters, to offer maximum sonic control. Try this with a Garritan Orchestral Strings' "EXP" instrument, which routes expression control to the modulation wheel: while playing an EXP voice, move the wheel to crossfade seamlessly between different string samples, each with a different velocity level. This emulates a surging crescendo or decrescendo that includes the changes in timbre that an actual string section would achieve.





Other Techtips from April 2004:
April 30 - Multitrack Recording Keyboards Tip!
April 29 - Basic Tips for Mixers and Remixers!
April 28 - What to look for when purchasing a pro keyboard!
April 27 - Just a few tips for playing out live!
April 26 - Getting the most from Expression!
April 23 - Making your kick drum and bass line sit nicely together in the mix.
April 22 - Virtual analog synths vs. analog synths.
April 21 - Guitar effects for the keyboard player.
April 20 - Plug-ins: Using wrappers.
April 19 - Speeding up importing files from CD-ROM to MV-8000.
April 16 - Syncing an LFO within a K2500/K2600/K2661 Program to an External MIDI Clock.
April 15 - Click Track and bleed - what to do?
April 14 - Keyboard Recording: Getting that "live" feel when recording sample-based instruments.
April 13 - Powered speakers and how to connect them to your powered mixer.
April 12 - Reverb - When is enough, enough?
April 09 - What to look for in a mixer for live sound.
April 08 - Setting up the Tascam FW-1884 with MOTU's DP4!
April 07 - Setting up the Tascam FW-1884 with MOTU's DP4!
April 06 - Glyph's hot-swapping FireWire technology explained.
April 05 - Channel, Key and Poly Aftertouch explained.
April 03 - Barry's Guitar Recording Techniques: Not all guitars sound the same!
April 02 - K2xxx keyboard workstations' sample formats described.


1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012
     
Home | Gear Reviews | Videos | Buying Guides | Glossary | Tech Tips | Show Reports | Publications | Featured Articles

Our Customers Say...

One thing I really admire about Sweetwater is that every customer is treated well, whether they're purchasing something for $10 or $10,000. You don't find that at other places. We consider Sweetwater a partner.
Joel Kass, Chicago, IL

Sweetwater Sound Inc.
5501 U.S. Hwy 30 W
Fort Wayne, IN 46818
Get Directions »

Toll Free (800) 222–4700
Español (800) 222–4701
Local (260) 432–8176
Fax (260) 432–1758
E-mail us

Phone & Retail Store Hours:
9–9 Monday–Thursday
9–8 Friday
9–7 Saturday
(All hours listed are
Eastern Standard Time.)

© 2012 Sweetwater Sound Inc. All rights reserved. Please read our Terms of Use and Privacy Policy. Links | Press Releases