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What to look for in a mixer for live sound.
04/09/2004

Q: "I'm just starting to look for a small mixer for my live gigs. What sort of things should I look for?"

A: To an extent this is a question, and the myriad of related questions likely to come up, that should be answered by your Sweetwater Sales Engineer. The Sweetwter guys have a lot of experience and undergo regular training to keep up with the latest trends in mixer design, as well as everything else.

That said, there are some basic guidelines than can get you started in your thinking. The following is lifted from our Live Sound Mixer Buying Guide.

So how do you begin to narrow down the hundreds of mixers on the market to find the one that best meets your needs? Perhaps the best thing you can do is begin by creating a checklist of your needs from the following parameters:

1. Mic/line/instrument inputs:

- How many do you need? Don't forget to include direct inputs from keyboards, guitar and bass amps and DJ stations. And keep future expansion in mind.

2. EQ

- How complete do you want to be? Some mixers offer basic low/high frequency adjustments; others provide multi-band parametric EQ on each channel with high and low shelving.

3. Directs Outs/Inserts:

- Do you need input channels to be routed to external effects or other processing gear?

4. Onboard or Outboard Effects?

- If you are inserting a new mixer into your current rig with outboard effects gear you already own, you may not need built-in effects on your mixer. However, one appeal of onboard effects is that you don't need to transport a lot of other gear to and from gigs.

5. How many busses?

- This depends on your signal routing needs. If you're sending monitor mixes from your main mixer you may need an 8 aux bus mixer to handle band members' different monitoring demands for instance.

6. Mono or stereo mains?

- Your output configuration depends on your combination of amplifiers and speakers.

7. Monitor outputs:

- Again, you need to decide how your monitoring environment will be run. Choices range from "none" all the way to a separate monitor mixer onstage that receives the same inputs your main mixer does.

8. Powered or unpowered?

- In most cases, powered mixers are designed for smaller groups and smaller venues where speed of setup and convenience are of primary concern. Larger, more complex systems generally use either powered speakers or separate power amps.





Other Techtips from April 2004:
April 30 - Multitrack Recording Keyboards Tip!
April 29 - Basic Tips for Mixers and Remixers!
April 28 - What to look for when purchasing a pro keyboard!
April 27 - Just a few tips for playing out live!
April 26 - Getting the most from Expression!
April 23 - Making your kick drum and bass line sit nicely together in the mix.
April 22 - Virtual analog synths vs. analog synths.
April 21 - Guitar effects for the keyboard player.
April 20 - Plug-ins: Using wrappers.
April 19 - Speeding up importing files from CD-ROM to MV-8000.
April 16 - Syncing an LFO within a K2500/K2600/K2661 Program to an External MIDI Clock.
April 15 - Click Track and bleed - what to do?
April 14 - Keyboard Recording: Getting that "live" feel when recording sample-based instruments.
April 13 - Powered speakers and how to connect them to your powered mixer.
April 12 - Reverb - When is enough, enough?
April 09 - What to look for in a mixer for live sound.
April 08 - Setting up the Tascam FW-1884 with MOTU's DP4!
April 07 - Setting up the Tascam FW-1884 with MOTU's DP4!
April 06 - Glyph's hot-swapping FireWire technology explained.
April 05 - Channel, Key and Poly Aftertouch explained.
April 03 - Barry's Guitar Recording Techniques: Not all guitars sound the same!
April 02 - K2xxx keyboard workstations' sample formats described.


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