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Amp Aiming
03/27/2009

If your guitar cab is miked up onstage, be careful not to put the FOH soundperson directly in its line of fire -- especially if you're using a closed-back cabinet. If your stage volume pushes anywhere near earplug territory, pointing the amp at the soundperson will cause him/her to hear it over the other instruments and compensate accordingly - by turning it down in the house system. Thus, what reaches the crowd through the mains might just end up being guitar-deficient. There are some options:

  • Turn down. (Yes, we said it. Do as we say, not as we do...)

  • Point the amp in toward you from side of the stage.

  • Put it in front of you and aim it back toward you.

  • Angle the amp up toward your ears, so the beam of sound from it goes over the soundperson's head.

  • If you have the luxury of a monitor mix, take advantage of it - run your amp through the monitors and keep your stage volume lower.





Other Techtips from March 2009:
March 31 - G5 RAM Installation
March 27 - Amp Aiming
March 26 - PT Playback Cursor
March 25 - Mic Measurements
March 24 - Plug-in Dilemma
March 23 - Coil Splitting Versus Coil Tapping
March 20 - Nut Slot Depth
March 19 - Long Guitar Cables
March 18 - Openly Buzzing Strings
March 17 - Combining MIDI Signals
March 16 - Guitar Control Knob Removal
March 13 - Measuring Neck Relief
March 12 - RAM Performance in Nehalem Macs
March 11 - Kickin' Ribbons
March 10 - FireWire and Macs
March 09 - Guitarists: Midrange is Your Friend
March 06 - Data Storage
March 05 - BR600 Transfer to Computer
March 04 - Levels When Tracking Audio
March 03 - MP3 and PT
March 02 - Buffers and Latency


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