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Recordable CD-ROM Compatibilities
03/25/1998

inSync reader Rod C. recently inquired about using CD recordable media in CD players. "Occasionally, I run across a CD deck (almost always "consumer" type) that will play part of a song then skip uncontrollably. Someone told me that those disks actually use an optical process to be recorded, and if it sees too much sunlight, it will deteriorate so that some players will not play them. Is that hogwash?"

There are many reasons why a CD might not play in a player. Sometimes if the CD has mild scratches or scuffs it can misplay in one player while working fine in ten others. If a CD player's laser is slightly mis-aligned it may have trouble with discs that aren't quite perfect for one reason or another.

There are several studies under way testing the long term viability of various optical media technologies. The general understanding of the write once CD's is that they are not absolutely permanent. Some degradation does occur over time. I am not sure what effect sunlight would have on the degradation, but I speculate that it could cause discoloration of the plastic coating which would ultimately compromise the performance of the disc. The recordable CD's do use a laser to be recorded, but given that it heats the inside of the CD to around 2000 degrees during the recording it is unlikely that normal sunlight would effect it very much in that way.

The other possible problem is that consumer machines use all different types of error protection schemes. In rare cases some of these schemes may not be compatible with a particular type of recording scheme one of the write once CD recorders uses. More specifically, they may not be able to completely correct certain types of errors that recordable CD's have. I have personally observed this problem at home with my Yamaha CDR100 recorder and an old Sony hi-fi CD player. All CD's have errors, but sometimes the types and quantities of errors produced by recordable CD's are harder for some machines to deal with.





Other Techtips from March 1998:
March 31 - What is the Significance of Thermal Calibration?
March 30 - A More "Correct" Version On Audio Bit Resolution
March 27 - More On Burning Non Standard Data CD-ROMs
March 26 - "What is the difference between a Single Coil and Humbucker style guitar pickup?"
March 25 - Recordable CD-ROM Compatibilities
March 24 - TT Patch Bay Wiring Problems
March 23 - More On Ground Loops and Isolators In Audio
March 20 - More On Syncing Live Performance With Sequencers
March 19 - Phantom Power and Line Level Gear
March 18 - Guitar Hum, Grounding, and Safety
March 17 - Digital Converter Quality
March 16 - Making CD-ROMs From Non-Standard File Formats
March 13 - Digital Connections
March 12 - Syncing Sequencers To Live Performance
March 11 - Recording: Bits Versus Sampling Frequency
March 10 - Eliminating Ground Buzz
March 09 - Pro Tools and the Truncated Bits
March 06 - Mackie HUI MIDI Questions
March 05 - "Why Does So Much Equipment These Days Have 'Software' Versions?"
March 04 - Unlocking The Transport On TASCAM DA-98/88/38 After Error Detection
March 03 - Getting Your Gear in Sync (BRC, ADAT, XP-80)
March 02 - More On Getting Rid of Guitar Hum


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