Free Shipping with no minimum purchase. Learn more »

Cart (800) 222-4700 Español (800) 222-4701


The Roger Nichols Gear Collection

Expert Center Sweetcare

«Back to Tech Tip Menu

Search:

Tech Tip of the Day Archives
1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Controlling room mics
03/24/2006

A well-placed room mic can add depth and space to a recording, especially on drums. But sometimes a room mic ends up picking up too much of a particular instrument and drowning out the source you were hoping would benefit from the room mic. A gate can be an effective tool for sculpting the room mic sound to emphasize a particular instrument. For example, a room mic can add snap to a snare drum that sometimes isn't captured by a close mic, but the room mic also picks up the kick, toms, and cymbals. To isolate the snare sound in the room mic recording, insert a gate on the room mic track and key the input to the snare track. The gate will only open when the snare is hit, effectively eliminating most of the room sound except the snap of the snare. Of course, you will lose any ambient sounds from the other parts of the kit, but if the end result is a huge snare sound, the tradeoff may be worth it.





Other Techtips from March 2006:
March 31 - Managing UAD-1 plug-in latency in Pro Tools LE and M-Powered
March 30 - Quickie Guide to DAW Mixing, Part #22
March 29 - Quickie Guide to DAW Mixing, Part #21
March 28 - What Does "Breaking In Speakers" Mean?
March 27 - Using EQ During Recording
March 24 - Controlling room mics
March 23 - Public Service Announcement
March 22 - Effective EQing in a DAW
March 21 - Accessing Waves Plug-in Presets in a DAW
March 20 - Conserving Plug-in Resources in Windows XP
March 17 - Quickie Guide to DAW Mixing, Part #20
March 16 - Quickie Guide to DAW Mixing, Part #19
March 15 - Quickie Guide to DAW Mixing, Part 18
March 14 - Quickie Guide to DAW Mixing, Part 17
March 13 - Quickie Guide to DAW Mixing, Part 16
March 10 - How does a limiter work?
March 09 - Mid-side miking
March 08 - Quickie Guide to Mixing, Part #15
March 07 - Quickie Guide to Mixing, Part 14
March 06 - Avoiding hi-hat plosives
March 03 - Quick and easy pop filter
March 02 - Controlling the bass without a compressor
March 01 - More Advanced Shortcuts for Pro Tools


1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012
     
Home | Gear Reviews | Videos | Buying Guides | Glossary | Tech Tips | Show Reports | Publications | Featured Articles

Our Customers Say...

My Sales Engineer is the best. If I need it tomorrow, I have it tomorrow. He makes sure everything is in order and that I'm set up right. I've spent a lot of money at other places, too, but I don't remember them calling me to make sure everything's okay.
Nick Moon, Portland, OR

Sweetwater Sound Inc.
5501 U.S. Hwy 30 W
Fort Wayne, IN 46818
Get Directions »

Toll Free (800) 222–4700
Español (800) 222–4701
Local (260) 432–8176
Fax (260) 432–1758
E-mail us

Phone & Retail Store Hours:
9–9 Monday–Thursday
9–8 Friday
9–7 Saturday
(All hours listed are
Eastern Standard Time.)

© 2012 Sweetwater Sound Inc. All rights reserved. Please read our Terms of Use and Privacy Policy. Links | Press Releases