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Syncing Sequencers To Live Performance
03/12/1998

inSync reader S.C. asks: "Is there some way my drummer can control the sequencer tempo while playing live?"

If the drummer is required to set the tempo, a sequencer with TAP SYNC (a.k.a. Tap Tempo) can be used. The drummer can set the tempo by tapping on the button and then can follow the sequence as normal. Some sequencers are able to listen to the output of a kick or snare drum channel and derive a tempo from that in real time. The problem with that is the drummer has to be almost as solid as the machine. Any abrupt deviation in tempo could cause a train wreck because the sequencer may not be able to respond as "musically" as a real musician. Furthermore, the input to the sequencer has to be rock solid and the sensitivity set perfectly in order to prevent false triggers and other anomalies from confusing the sequencer. Aphex used to make a box called a Studio Clock that did this conversion fairly well and would output MIDI clock (see WFTD archive MIDI Clock) to any sequencer.

Still the best way is to have the drummer lock in to a click track (4 beats of count-in is usually sufficient) through either the drum monitor or headphones and play with the click and sequence during playback. You really want to have the drummer getting a full mix of the sequence so he isn't thrown off by that guitarist who is falling behind the beat or the singer that just started the second verse 8 bars too late.





Other Techtips from March 1998:
March 31 - What is the Significance of Thermal Calibration?
March 30 - A More "Correct" Version On Audio Bit Resolution
March 27 - More On Burning Non Standard Data CD-ROMs
March 26 - "What is the difference between a Single Coil and Humbucker style guitar pickup?"
March 25 - Recordable CD-ROM Compatibilities
March 24 - TT Patch Bay Wiring Problems
March 23 - More On Ground Loops and Isolators In Audio
March 20 - More On Syncing Live Performance With Sequencers
March 19 - Phantom Power and Line Level Gear
March 18 - Guitar Hum, Grounding, and Safety
March 17 - Digital Converter Quality
March 16 - Making CD-ROMs From Non-Standard File Formats
March 13 - Digital Connections
March 12 - Syncing Sequencers To Live Performance
March 11 - Recording: Bits Versus Sampling Frequency
March 10 - Eliminating Ground Buzz
March 09 - Pro Tools and the Truncated Bits
March 06 - Mackie HUI MIDI Questions
March 05 - "Why Does So Much Equipment These Days Have 'Software' Versions?"
March 04 - Unlocking The Transport On TASCAM DA-98/88/38 After Error Detection
March 03 - Getting Your Gear in Sync (BRC, ADAT, XP-80)
March 02 - More On Getting Rid of Guitar Hum


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