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"Why Does So Much Equipment These Days Have 'Software' Versions?"
03/05/1998

inSync reader F. C. asks, "Why does so much equipment these days have 'software' versions?"

Most manufacturers have realized that they can save money and build more powerful products by having their functionality controlled by software as opposed to dedicated hardware devices. In the old days when our musical equipment was designed and built around hardware components the finished product could never be significantly changed without major modifications (anyone ever see a FORAT mod on a Linn 9000?), which often were too expensive to justify. Consequently, once manufacturers figured out better ways to do things and thought of new features to add, they simply put out a new product which obsoleted the old product. It was the only cost effective way to do it at the time.

Nowadays it is more common for a manufacturer to use some sort of generic CPU (see WFTD above CPU) to control the functions of the unit and have it use an instruction set (program) that is either on a system ROM chip, in Flash RAM, or loaded from disk each time the unit boots. This allows a manufacturer to change things about the way the unit operates and add new features without having to do major (expensive) hardware rebuilds. The adoption of this kind of technology into our electronic equipment has been, perhaps, the single biggest factor in the advancement of capabilities offered for the money spent. To build a machine with equivalent capabilities of a Kurzweil K2500 back in 1980 (if it was even possible, which I doubt) would have cost end users well over $100,000 and been the size of a house. The computing power just didn't exist at any practical level (just ask any Synclavier owner) and it would have taken 20 different hardware based systems to handle all the functions of the one machine.





Other Techtips from March 1998:
March 31 - What is the Significance of Thermal Calibration?
March 30 - A More "Correct" Version On Audio Bit Resolution
March 27 - More On Burning Non Standard Data CD-ROMs
March 26 - "What is the difference between a Single Coil and Humbucker style guitar pickup?"
March 25 - Recordable CD-ROM Compatibilities
March 24 - TT Patch Bay Wiring Problems
March 23 - More On Ground Loops and Isolators In Audio
March 20 - More On Syncing Live Performance With Sequencers
March 19 - Phantom Power and Line Level Gear
March 18 - Guitar Hum, Grounding, and Safety
March 17 - Digital Converter Quality
March 16 - Making CD-ROMs From Non-Standard File Formats
March 13 - Digital Connections
March 12 - Syncing Sequencers To Live Performance
March 11 - Recording: Bits Versus Sampling Frequency
March 10 - Eliminating Ground Buzz
March 09 - Pro Tools and the Truncated Bits
March 06 - Mackie HUI MIDI Questions
March 05 - "Why Does So Much Equipment These Days Have 'Software' Versions?"
March 04 - Unlocking The Transport On TASCAM DA-98/88/38 After Error Detection
March 03 - Getting Your Gear in Sync (BRC, ADAT, XP-80)
March 02 - More On Getting Rid of Guitar Hum


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