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Burning CDs - How long?
02/25/2004

Q: "How long does it take to burn a CD?"

A: While CDs have been around for a few decades, and recording CDs in studios (or in homes) are now commonplace, this is a question that still comes up from time to time. So, how long does it take to burn a CD? Well, that largely depends on how much data or audio you need to burn to the CD, and your hardware. As music is sampled at a continuous rate for recording to CD, a typical CD (650 MB) can contain 74 minutes of Audio. Even though many recordable CDs are used for data-type purposes, most people measure record speed in multiples of 'real time'. 1x record speed means that it takes 74 minutes to record ("burn") 74 minutes of audio. 12x speed means: 74 minutes / 12 = 6.166... minutes.

There are some exceptions to this rule: Old CD-Rs were 63 minutes, and you may occasionally come across these. There is a 'Type 80' disc available, which contains almost 80 minutes. Since you do not have to put 74 minutes of audio on a CD-R, The record time can be significantly decreased if you have a shorter recording.

In summary: The number of minutes of audio or megabytes of data is directly proportional to the time required to record.

Note: Besides the record speed, a few variables can affect the record time positively or negatively:

  • Lead in and Lead out time, also known as writing the Index or Title.

  • Feeding the machine, whether automated or manual.

  • Amount of data or audio written to the CD.





Other Techtips from February 2004:
February 27 - Flip switch on Mackie's 8-Bus mixer explained.
February 26 - It's time to replace your tubes in your amp... or is it?
February 25 - Burning CDs - How long?
February 24 - Linking automation in Cubase SL.
February 23 - Differentiating RFI/EMI and hum or buzz.
February 19 - Microphone Mysteries Revealed, by Ted Hunter: Mic technology over the past 25 years.
February 18 - Transfering plug-ins from older versions of Pro Tools to Pro Tools 6.2.x.
February 17 - Different room modes explained.
February 16 - Advantages of a Dedicated Monitor Mixing Console
February 13 - Bringing files from your Roland VS-1680 to your VS-1824.
February 12 - Performance tips for Roland's V-Synth & Time Trip Pad!
February 11 - Apple's GarageBand and Digidesign hardware.
February 10 - Tips for using an Alesis HD24 and 8-Bus console.
February 09 - Optical media and the Apple G4 PowerBook.
February 06 - MOTU's DP4 and Freeze!
February 05 - Always field test your wireless transmitter BEFORE the performance!
February 04 - Successfully arranging songs for radio play.
February 03 - Resolve issues caused by unusable preference files in Final Cut Pro 4.
February 02 - Transfering projects from Yamaha's AW2816 to the AW4416.


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