Free Shipping with no minimum purchase. Learn more »

Cart (800) 222-4700 Español (800) 222-4701


The Roger Nichols Gear Collection

Expert Center Sweetcare

«Back to Tech Tip Menu

Search:

Tech Tip of the Day Archives
1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

CD burning issues
01/31/2000

Three (related) questions for the price of one today.

  1. "I've recently started burning my own audio CDs and have heard several people say that they get the best sound quality from burning at 2x speed, that there is a slight deterioration at 4x and 6x. Assuming the disk is written successfully, wouldn't the digital data be identical regardless of the speed at which it is burned, thereby audibly indistinguishable?"

Common sense tells you it would, but experience has proven otherwise. Discs can be burned with many errors (of varying types) and still qualify as a "successful" burn. Sound quality can be effected, but the most apparent difference between burn speeds relates to disc reliability across many different playback machines. Our experience has shown that 2x is often the most effective overall burn speed. This has been covered in more detail in past issues of inSync (don't forget to check those TTOTD archives).

  1. "I have also heard people say that gold-colored CDs sound different from silver-colored by the same manufacturer, thus the difference in price. I understand that there might be differences in durability and longevity, but again, data is data, is it not? How can one new, high grade, error-free disk possibly sound different from another?"

Error Free? They all have errors, and that can have a lot to do with it. Gold and silver do not even have the same reflectivity so the way in which they are read can be different from the start. Sound quality differences based on CD dye formulation tend to be pretty subjective so watch out for people making big, definitive claims here. Blank CDR discs aren't really blank technically. They do have a formatting to them that can also affect performance in various machines. There are many other subtle variables as well. I wish we could just say CD is CD so go make yours and you'll be okay, but there is more to it than that (again covered in past issues of TTOTD). We always suggest you find out what media is recommended by the manufacturer of your burner and then experiment from there. But beware that what works best on your burner may not work well on another burner.

  1. "How can I tell if my CDs are in compliance with "red book" standards?"

If it plays on many CD players it's probably in basic compliance. A sure way to be positive is to send a CD to a pressing plant to have it duplicated. They will usually tell you if the disc has problems. Some plants are savvy enough to work around minor problems so if you really want to know how good your data was just ask them to tell you. I'm not aware of any way to reliably and completely "test" discs for red-book compliance at home. If anyone is, please let us know.





Other Techtips from January 2000:
January 31 - CD burning issues
January 28 - Live miking and mixing with multiple microphones
January 27 - Fundamentals of Noise Reduction
January 26 - Kurzweil Output Architecture
January 25 - Mixing virtual tracks into a MOTU 2408
January 24 - Running wires through sound proof walls
January 21 - Miking an upright piano
January 20 - More on hard drive head crashes
January 19 - Reversing pins 2 & 3 in an XLR cable, what does it do to Phantom power?
January 18 - Pin 2 versus Pin 3 at mic inputs
January 17 - Where have the analog mixers gone?
January 14 - How does increasing amp power affect SPL?
January 13 - The one exception on TRS wiring
January 12 - Get line level signals into a mixer without line inputs
January 11 - Magnetic Fields from unshielded monitors and your cassette deck
January 10 - Keeping rooms isolated that have wire runs between them
January 07 - More on cable wiring - balanced to unbalanced
January 06 - More on wiring unbalanced and balanced connections
January 05 - Wiring XLR to TRS connectors and reversing polarity for pin 3 hot
January 04 - More info on cable polarity and how to wire for various circumstances
January 03 - Getting that R & B booming bass drum sound


1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012
     
Home | Gear Reviews | Videos | Buying Guides | Glossary | Tech Tips | Show Reports | Publications | Featured Articles

Our Customers Say...

Absolutely, without a doubt, we get everything we possibly can from Sweetwater. I have a great relationship with my Sales Engineer. His advice is always right on. The service, support, and knowledge are definitely there.
Troy Henry, Raleigh, NC

Sweetwater Sound Inc.
5501 U.S. Hwy 30 W
Fort Wayne, IN 46818
Get Directions »

Toll Free (800) 222–4700
Español (800) 222–4701
Local (260) 432–8176
Fax (260) 432–1758
E-mail us

Phone & Retail Store Hours:
9–9 Monday–Thursday
9–8 Friday
9–7 Saturday
(All hours listed are
Eastern Standard Time.)

© 2012 Sweetwater Sound Inc. All rights reserved. Please read our Terms of Use and Privacy Policy. Links | Press Releases