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Reversing pins 2 & 3 in an XLR cable, what does it do to Phantom power?
01/19/2000

"Thanks for the series of tips on XLR and TRS wiring schemes. Following up on your discussion of alternative wiring for balanced outputs and inputs, can the addition of phantom power complicate the use of translating cables? It seems that if the mic uses phantom power, the polarity of the power to the mic is necessarily reversed, which could cause some problems. Is there a safe way to do this using passive components, or is a unity-gain phase reversing amplifier required?"

Phantom power is not sensitive to the polarity between pin 2 and pin 3 because it is just an identical voltage on each pin referenced to ground/shield. There is no electrical potential between pin 2 and 3 so their polarity does not matter.





Other Techtips from January 2000:
January 31 - CD burning issues
January 28 - Live miking and mixing with multiple microphones
January 27 - Fundamentals of Noise Reduction
January 26 - Kurzweil Output Architecture
January 25 - Mixing virtual tracks into a MOTU 2408
January 24 - Running wires through sound proof walls
January 21 - Miking an upright piano
January 20 - More on hard drive head crashes
January 19 - Reversing pins 2 & 3 in an XLR cable, what does it do to Phantom power?
January 18 - Pin 2 versus Pin 3 at mic inputs
January 17 - Where have the analog mixers gone?
January 14 - How does increasing amp power affect SPL?
January 13 - The one exception on TRS wiring
January 12 - Get line level signals into a mixer without line inputs
January 11 - Magnetic Fields from unshielded monitors and your cassette deck
January 10 - Keeping rooms isolated that have wire runs between them
January 07 - More on cable wiring - balanced to unbalanced
January 06 - More on wiring unbalanced and balanced connections
January 05 - Wiring XLR to TRS connectors and reversing polarity for pin 3 hot
January 04 - More info on cable polarity and how to wire for various circumstances
January 03 - Getting that R & B booming bass drum sound


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