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More info on cable polarity and how to wire for various circumstances
01/04/2000

Our recent tips on wiring polarity have generated a few more general questions about how to change the polarity of wire connecting gear. This week we will discuss a few permutations of how to wire cables for various circumstances. Other permutations can be covered in the future as needed. (Before you go on make sure you understand and follow the information from the 12/23/99 TTOTD as it contains the background that makes the following information more relevant.)

It's important to first understand how cables are normally wired. Here is what we say is the "normal" way to wire an XLR cable:

    Female EndMale End
    Pin 1 – Shield...................Pin 1 – Shield
    Pin 2 – Hot (positive)..........Pin 2 – Hot (positive)
    Pin 3 – Cold (negative)........Pin 3 – Cold (negative)

The distinctions of positive and negative don't really exist in a cable. The thing(s) a cable connects to is what makes one lead or another a positive. However, for the sake of clarity the above diagram is labeled with the positive and negative distinctions as they "normally" occur in audio connections.

The main instance where this wiring can lead to trouble is if you have a piece of gear in a chain that is wired backwards from the rest (pin 3 hot instead of pin 2). Be clear here. If you connect two devices that are pin 3 hot you do NOT need to modify a cable in order for them to work properly.

If you do need to reverse polarity on a cable you can do it at either the male or female end. It makes no functional difference. But don't do it at both ends. Doing it at both ends effectively returns the cable to normal operation. An example of reversing the polarity of an XLR cable to accommodate a Pin 3 Hot device would be as follows:

    Normal (Pin 2 Hot) deviceAbnormal (Pin 3 Hot) device
    Pin 1 – Shield...................Pin 1 – Shield
    Pin 2 – Hot (positive)..........Pin 3 – Hot (positive)
    Pin 3 – Cold (negative)........Pin 2 – Cold (negative)

Notice that Pin 2 of one end is connected to Pin 3 of the other end and vice versa. This is how you reverse the polarity of an audio signal in a balanced cable. Tomorrow's TTOTD will feature XLR to TRS connections.





Other Techtips from January 2000:
January 31 - CD burning issues
January 28 - Live miking and mixing with multiple microphones
January 27 - Fundamentals of Noise Reduction
January 26 - Kurzweil Output Architecture
January 25 - Mixing virtual tracks into a MOTU 2408
January 24 - Running wires through sound proof walls
January 21 - Miking an upright piano
January 20 - More on hard drive head crashes
January 19 - Reversing pins 2 & 3 in an XLR cable, what does it do to Phantom power?
January 18 - Pin 2 versus Pin 3 at mic inputs
January 17 - Where have the analog mixers gone?
January 14 - How does increasing amp power affect SPL?
January 13 - The one exception on TRS wiring
January 12 - Get line level signals into a mixer without line inputs
January 11 - Magnetic Fields from unshielded monitors and your cassette deck
January 10 - Keeping rooms isolated that have wire runs between them
January 07 - More on cable wiring - balanced to unbalanced
January 06 - More on wiring unbalanced and balanced connections
January 05 - Wiring XLR to TRS connectors and reversing polarity for pin 3 hot
January 04 - More info on cable polarity and how to wire for various circumstances
January 03 - Getting that R & B booming bass drum sound


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