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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9

Cabinet
The portion of an amplification or sound reinforcement system that houses the speakers. In instrument amplification systems the cabinet usually refers to an enclosure of one or more speakers that does not contain any of the amplification devices (an amp and speaker cabinet as one unit is generally just referred to as an "amp" or a "combo amp"). Over the years, there have been lots of different guitar cabinet configurations, with the most common being the 4x12 (four 12" speakers), though there have been 4x10, 2x12, 1x12, and even a 2x15. Marshall has become almost synonymous with its monstrous 4x12 cabinets, and Fender was producing 2x12 cabinets as early as 1961 for its Tremolux amp, though by the following year, the Dual Showman amp head appeared with a matching 2x15 cabinet (and yes, it was very heavy)! Guitar cabinets have different form factors to allow for maximum projection and dispersion. For example, some 4x12 cabinets have a "slant" design where two of the speakers are tilted back to aim more at the guitarist's ears. A "straight" 4x12 has a more vertical front panel (called the "baffle") and is designed to project the sound more directly forward. They can have either open or closed backs, which greatly impacts the tone. In addition, they may or may not have ports, which affect the amount of bass energy they project. Bass cabinets may come in many different configurations as well...4x10, 2x15, 1x15, 8x10, with and without midrange and high-frequency drivers (tweeters) - and the corresponding crossover circuits required to divide the input signal into multiple frequency ranges - and often feature ports to increase bottom end. PA or sound reinforcement cabinets have all of these variables and a few more. Some may have passive crossovers built in to divide frequency ranges, they may be of the horn-loaded, or folded-horn variety with all sorts of different dispersion characteristics. They may be fitted to accept the pole of a speaker stand or have flying hardware points and/or be shaped so that many can be placed together in an array. Sizes and shapes depend a lot on the specific application the cabinet is designed for. There are cabinets designed only to handle very low frequencies that may have many large speakers (18" or more), while others may be designed to be small and blend in with the aesthetic of auditoriums and so forth. Monitor cabinets are also used in sound reinforcement applications. Monitor cabinets can come in the form of small wedge-shaped boxes that sit in front of performers, larger conventional PA-type boxes that sit on the side of a stage for overall fill monitoring (aptly called side-fill monitors), behind or beside drummers, etc. Again, a variety of shapes, sizes, and configurations are common. In odd contrast to instrument cabinets, PA cabinets may have amplification systems on board and still be called cabinets, though often the term "powered" or "active" speaker is used.

C-weightingCabinetCabinet Grand
Cache RAMCadence (or Close)Cadillac Tailpiece
CamberCanned Music (Slang)Canon
CansCantileverCantus Firmus
CapacitanceCapacitorCapo
CapstanCapsuleCapture
CardBusCardioidCarillon
CarrierCart MachineCartridge
Carved-top GuitarCase CandyCassette Tape
Cat's Eye Cat 5Cat 6
CathodeCathode BiasedCBR
CBS EraCCIRCCIR 468-weighting
CCIR ARM-weightingCC NumberCD+G
CD-ROMCD-RWCD24
CDDACD ExtraCDR
CD TextCedarCelesta
CentCenter FrequencyCenter block
Center TapCentronicsCentronics 50
Challenge/ResponseChambered BodyChamberlin
ChamferChannel SeparationChannel Status Bit
Channel StripChannel Voice MessagesChart
ChaseChatoyancyChipset
Chitarra BatenteChokeChooser
ChopsChordChordophone
ChorusChromaChroma Keying
Chromatic (Chromatic Scale)Chromatic TailpieceCIRC
Circle of FifthsCircuit BreakerCircumaural
CISCCITESCITES
CitternClamping VoltageClass-D Amplifier
Class AClass ABClass B
Class HClassicClaves
ClavinetClaw/Drum ClawClear Coat
ClearwoodClefClick and Hold
Click TrackClient RefClipboard
ClippingClockClose-miking
Closed EarClusterCLV
CMOSCommon Mode RejectionCMRR
CMYKCNCCoaxial Cable
CodaCodeCODEC
CoercivityCOI KB 2200Coil
Coil TapCoincidentColoration
Comb FilterCombination/CombiCombo Amp
Combo OrganComb String ConverterCommission
Common TimeComp/CompingCompact Disc
Compact FlashCompandingCompass
Compensation (guitar)Compilation ScoreCompile
Component VideoCOM PortComposite Track
Composite VideoCompound IntervalCompound Meter
Compound RadiusCompressionCompression (data)
Compression DriverCompressorConcertina
Concert PitchCondenser MicrophoneConductor
Confidence MonitoringConformConga
Consecutive intervalConsoleConsonance
Con SordinoConstant DirectivityConstant Q
Contact MicContact Pressure (Headphones)Continue
ContinuityContinuoContinuous Controller
Contour AmountControl PanelControl Room
Control SurfaceControl VoltageConversion Latency
ConvolutionCoolCopy
CopyleftCopyrightCoral Sitar
CoreAudioCoreMIDICorrupt/Corruption
COSMCoulombCounter
CounterpointCount off (Count in)Coupling
CPUCPUCycleCrash
CRCCrescendoCrest Factor
Critical BandCritical DistanceCross-Modulation
CrossfadeCrossoverCrossover Cable
Crossover DistortionCross PlatformCross Stick
Cross Stick CrosstalkCross SwitchCrosstalk
CrotchetCRTCRV
CS-80CsoundCS Update
CueCue List (Cue Sheet)Current
Current LimitingCursorCut
Cut-Only EqualizerCutawayCutoff Frequency

     
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