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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9

A440
Musical term that refers to the pitch A above Middle C having a frequency of 440Hz, or cycles per second. This is sometimes referred to as "Concert Pitch." Following the principles of equal temperament, A440 means that the C above it has a frequency of approximately 523.3Hz. A standardized Concert Pitch is essential for musicians to play instruments together in tune. Some form of standard pitch has been around ever since two individuals wished to sing or play two instruments together. Sometime after 1200 AD, vocal groups (usually monks) and whatever instrumental ensembles existed used a pitch pipe to provide a reference tone for tuning. In 1711the tuning fork was invented. At that time, it had a pitch of A423.5. This points out that Concert Pitch has not always equaled A440. In fact, it has varied widely through history. From the 17th century forward the reference "A" has ranged from a low of 373.7Hz to a high of 457.6Hz. The differences can be loosely described this way: a lower tuning results in a "darker" sound, while a "brighter" timbre is attributed to a higher tuning. In1936 the American National Standards Institute (a scientific group, not a musical one) adopted 440Hz. In 1939 A440 was adopted internationally and it has remained the standard since then. Some pitch standards have risen a little, particularly in Eastern European countries, in which pianos are often tuned to A444 or even a bit higher. Some concert halls in the UK and European countries have two pianos on site, one tuned to A440 and one tuned to A444. This satisfies the desires of performers and keeps the pianos stable.

A & RA-B StereoA-Time
A-weightedA440AAC - Advanced Audio Coding (also MPEG-2 AAC)
AAFAbaloneABS
Absolute PhaseAbsorptionAbsorption Coefficient
Alternating Current (AC)AC-1AC-2
AC-3Academy CurveA cappella
AccentAccess TimeAccidental
AccompanimentAccumulatorAcetate
Acoustic LensAcoustic SuspensionAcoustic Treatment
ACPIActionActionflo
ActiveActive SensingActuator
AdagioADATADAT/FST
ADAT OpticalADBA/D Converter (ADC)
Additive SynthesisAdjusto-MaticADPCM
ADRADSRAeolian Harp
AerophoneAESAES/EBU
AES3AES3idAES42-2001
AFLAFMAftertouch
AFTRAAGCAggregate Device
Aging TonerAgitatoAgoya
AGPAHDSFRAIFF (Audio Interchange File Format)
AIRAITAlder
AlderAleatoric Music (Composition)Algorithm
AliasAliasingAlkaline Battery
All-Button ModeAll-Notes-OffAllegro
AlnicoAlterationAltered Chord
Alternate TuningAltoAM
AmbienceAmbisonicsAmen Break
AmperageAmpereAmp Head
AmplifierAmplifier, InstrumentAmplitude
Amplitude ModulationAMSAnalog
Analog SequencerAnalog SynthesizerAnamorphic
AndanteAnechoicAnode
AnodizeAnodizedANSI
ANSI A-WeightingAntecedent and ConsequenceAntenna
Antenna gainAnti-Imaging FilterAnti-Aliasing Filter
Anti-nodeAperiodicAPI
ApoyandoApple TalkApplication (Program)
ArchitectureArchival StabilityArchtop Guitar
ArcoARP AvatarArpeggiator
ArpeggioArrangementArticulation
Artificial (or Automated) Double Tracking or ADT)ASCAPASCII
AshAshtray Bridge CoverASIC (Application Specific Integrated Circuit)
ASIOAspect RatioAsperity
ASPIAsynchronousATA
ATA-2ATA 66/100/120ATAPI
Absolute Time CodeAtonal MusicATRAC
ATRACAttackAttenuation
AudioAudiobookAudiology
Audio RIPAudio SuiteAudioUnits
AudiowireAuditory CortexAugmented Interval
AuranomicAuthorAuthorize
Auto AccompanimentAutolocate/AutolocatorAutomata
Automatic MixerAutomationAuto Punch
Aux SendAVIAWG (American Wire Gauge)
AWMAxeAxial Room Mode

     
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